DSpace community: 中國文學研究所

趙鵬飛《春秋經筌》研究;趙鵬飛《春秋經筌》研究

Tue, 20 Oct 2026 06:41:15 GMT

title: 趙鵬飛《春秋經筌》研究;趙鵬飛《春秋經筌》研究 abstract: 本文以南宋《春秋》學家趙鵬飛的《春秋經筌》一書為研究核心，探討其《春秋》學的問題意識、解經方法與解經內容，藉此說明其在宋代《春秋》學中的學術特色。全文首先指出，趙鵬飛《春秋》學的出發點，在於回應三《傳》長期主導《春秋》解釋所造成的解經困境。趙氏既不盡棄三《傳》，也不盲從傳說，而是主張以「公心」面對三《傳》，並透過對《左傳》、《公羊》、《穀梁》解經內容的批評，以此瓦解其解經的權威，進而確立以《春秋》經文為核心的解經方法。其次，本文指出，趙鵬飛認為《春秋》是孔子筆削魯史以寄託「中興周室」之志的經典，其義旨主要寄寓於經文書法之中。趙氏以「以事考情而立文」說明《春秋》成書原理，並將書法視為理解孔子褒貶的關鍵。其解經方法，則是由經文書法切入，結合史事重建與事理推求，以探求孔子之義。最後，本文進一步說明趙鵬飛如何藉《春秋》之褒貶，建構其義理體系。趙氏認為《春秋》主要透過對五倫失序之事的書寫，重建以「尊尊」為核心的政治與人倫秩序，同時又藉君臣之義、夷夏之辨、王霸之別，闡發其對天下秩序的理解。整體而言，趙鵬飛《春秋》學兼具方法論自覺與義理關懷，既展現出突破三《傳》權威的解經企圖，也呈現其以《春秋》重建王道秩序的經學理想。;This thesis focuses on the Chunqiu Jingquan by Zhao Pengfei， a Chunqiu scholar of the Southern Song dynasty， and examines the central concerns， interpretive methodology， and substantive interpretations of his Chunqiu scholarship， thereby elucidating its distinctive features within the broader context of Chunqiu studies during the Song dynasty. First， this thesis argues that Zhao Pengfei’s approach to the Chunqiu arose from his attempt to address the interpretive difficulties resulting from the longstanding dominance of the Three Commentaries. Zhao neither rejected the Three Commentaries altogether nor followed their transmitted interpretations uncritically. Instead， he advocated approaching them with an “impartial mind” (gongxin). Through his critical examination of the interpretations found in the Zuozhuan， the　Gongyang Zhuan， and the Guliang Zhuan， Zhao sought to challenge their interpretive authority and， in turn， establish an exegetical approach centered on the text of the Chunqiu itself. Second， this thesis demonstrates that Zhao regarded the Chunqiu as a classic compiled by Confucius through his revision of the historical records of the state of Lu in order to embody his aspiration for the “restoration of the Zhou royal house.” Its underlying meanings and judgments were primarily conveyed through the textual formulations of the classic. Zhao explained the principles underlying the compilation of the Chunqiu through the notion of “examining the circumstances of an event to discern the intentions involved， and formulating the text accordingly” (yi shi kao qing er li wen)， and regarded textual formulation as the key to understanding the judgments of praise and blame made by Confucius. Accordingly， his interpretive method begins with close attention to the textual formulations of the Chunqiu， combining the reconstruction of historical events with an inquiry into the principles and circumstances underlying them in order to uncover Confucius’s intended meanings. Finally， this thesis examines how Zhao constructed a coherent system of moral and political principles through the judgments of praise and blame embodied in the Chunqiu. Zhao maintained that the Chunqiu， primarily through its accounts of disruptions to the Five Human Relationships， sought to reconstruct a political and ethical order centered on the principle of “honoring those who are honorable” (zunzun). At the same time， through its treatment of the proper relationship between ruler and minister， the distinction between the Chinese cultural realm and the non-Chinese peoples， and the distinction between true kingship and hegemony， Zhao articulated his understanding of the proper order of All-under-Heaven. Overall， Zhao Pengfei’s Chunqiu scholarship exhibits both methodological self-consciousness and a sustained concern with moral and political principles. It not only demonstrates an exegetical endeavor to move beyond the authority of the Three Commentaries， but also reveals Zhao’s classical ideal of reconstructing an order based on the Kingly Way through the Chunqiu.

張愛玲小說及其改編電影中的性別敘事;張愛玲小說及其改編電影中的性別敘事

Tue, 20 Oct 2026 06:41:11 GMT

title: 張愛玲小說及其改編電影中的性別敘事;張愛玲小說及其改編電影中的性別敘事 abstract: 本論文以張愛玲小說與其改編電影為主要研究對象，試圖聚焦在性別敘事，尤其聚焦在女性議題上，探討張愛玲小說的女性意識如何在影像中被重新詮釋，並藉由女性主義地理學、女性主義電影理論等角度，兼探討張愛玲在散文集中談論的個人往事、對自己作品的補充，對比不同導演如何因應時代語境、創作理念與影像媒介的特性，重新詮釋張愛玲作品中的女性意識、性別權力與空間關係，藉此探討小說與電影的互文性。;This thesis examines Eileen Chang′s novels and their film adaptations as its primary research subjects， focusing on gender narratives with particular emphasis on women′s issues， in order to explore how the female consciousness in Chang′s fiction is reinterpreted in cinematic imagery. Drawing upon perspectives from feminist geography， feminist film theory， and other approaches， while also examining Chang′s personal recollections in her collections of essays and her supplementary remarks on her own works， this study compares how different directors， shaped by their respective historical contexts， creative philosophies， and the distinctive characteristics of cinematic media， have reinterpreted the female consciousness， gender power relations， and spatial dynamics in Chang′s works. Through this， the study aims to explore the intertextuality between the novels and their film adaptations.

劉鶚及其《鐵雲詩存》研究;A Study of Liu E and His Tieyun shicun

Tue, 20 Oct 2026 06:41:07 GMT

title: 劉鶚及其《鐵雲詩存》研究;A Study of Liu E and His Tieyun shicun abstract: 劉鶚（1857-1909）為晚清重要的實業家、水利專家與小說家，以《老殘遊記》聞名於世，然其詩集《鐵雲詩存》向來較少受到學界系統性的關注。本文以《鐵雲詩存》為核心文本，兼及其中收錄之《老殘遊記》引詩，並參照日記書信及相關史料，考察劉鶚一生的思想淵源、經世實踐與晚年遭際，如何具體反映並凝聚於其詩歌書寫之中。本文依循劉鶚生命史的三個階段展開論述：青年時期，考察其如何在幼年災禍創傷的影響下，承繼父輩劉成忠的家學薰陶，並拜入太谷學派門下，於「立性達情」之詩學觀，以及「教」、「養」兩途之聖功理念的浸潤下，逐步確立以「養天下」為己任的經世志向；壯年時期，考察其治河、辦鐵路、興礦務等經世實踐歷程，並論析詩歌與《老殘遊記》引詩系統在此時期如何相互補充、共同承載其生命感懷；晚年時期，則透過《東遊草》及金石收藏、知音交遊、身世感懷等詩作，考察劉鶚在政治壓力下東渡日本籌辦鹽務的心境起伏，以及在志業屢挫、流放新疆等接連變故中，其詩歌書寫如何隨境遇轉折，呈現出由入世到內斂的轉變軌跡。透過系統性梳理《鐵雲詩存》的創作脈絡與思想內涵，本文期能將其確立為具備獨立文學價值、足以深度詮釋劉鶚生命歷程的核心文本，補足既有研究長期側重《老殘遊記》而較少論及其詩歌之空缺；同時，本文亦嘗試將詩歌文本與小說引詩、書信日記等史料交叉比對，深化對其詩歌書寫特質的理解。;Liu E (1857–1909) was a prominent late-Qing entrepreneur， hydraulic engineer， and novelist， best known for his novel The Travels of Lao Can (Laocan youji). His poetry collection， Tieyun shicun， however， has rarely received systematic scholarly attention. Taking Tieyun shicun as its core text—including the poems quoted within The Travels of Lao Can that are collected therein—and drawing on Liu E′s diaries， letters， and related historical materials， this thesis examines how the intellectual origins， practical undertakings， and later-life vicissitudes of Liu E were concretely reflected in and crystallized through his poetic writing. The thesis is organized around three stages of Liu E′s life. In his youth， it examines how， under the shadow of childhood traumas caused by natural disasters and warfare， Liu E was shaped by the family learning inherited from his father Liu Chengzhong， and later， upon becoming a disciple of the Taigu School， was steeped in its poetics of "establishing nature to attain feeling" (lixing daqing) as well as its sagely ideal of "teaching" and "nurturing" (jiao and yang)—through which he gradually formed his aspiration to "nurture the world" (yang tianxia) as his personal mission. In his middle years， it examines his practical undertakings in river conservancy， railway construction， and mining enterprises， analyzing how his poetry and the poems embedded in The Travels of Lao Can complemented one another during this period， jointly giving expression to his experiences and reflections. In his later years， through Dongyou cao (a collection of poems from his two journeys to Japan)， as well as poems on antiquarian collecting， communion with kindred spirits (zhiyin)， and reflections on his own circumstances， the thesis traces the shifting sentiments Liu E experienced while traveling to Japan under political pressure to manage salt trade affairs， together with the successive setbacks—including repeated career failures and his exile to Xinjiang—that shaped his poetic writing， revealing a trajectory that moved from worldly engagement toward inward introspection. Through a systematic examination of the creative development and intellectual content of Tieyun shicun， this thesis aims to establish it as a text of independent literary value， capable of offering profound insight into Liu E′s life course， thereby addressing a gap in existing scholarship that has long privileged The Travels of Lao Can while paying insufficient attention to his poetry. In addition， this thesis cross-references his poems with the poems quoted in his novel， as well as with his diaries and letters， in an effort to deepen the understanding of the distinctive qualities of his poetic writing.

論《西遊記》中食色慾望與身心重構;Food and Sexual Desire in Journey to the West: Bodily and Spiritual Reconstruction

Tue, 20 Oct 2026 06:41:04 GMT

title: 論《西遊記》中食色慾望與身心重構;Food and Sexual Desire in Journey to the West: Bodily and Spiritual Reconstruction abstract: 《西遊記》歷來多從宗教、神魔、思想或人物形象等角度加以詮釋，然食色書寫與身體修煉之間的內在關聯仍有進一步探討空間。本文以《西遊記》為研究對象，結合文本細讀、符號學、身體文化、傅柯權力理論等觀點，探討飲食、色慾、身體、修行與制度之間的互動關係。全文分別論述取經路上的飲食文化、宴席書寫、唐僧肉、比丘國小兒心肝入藥、八戒色欲、取經身體的重構，以及神佛監察與災難制度等議題，指出《西遊記》中的食與色並非單純的感官欲望，而是推動修行、考驗心性、重塑身體與建構秩序的重要機制。本文認為，《西遊記》的西行之路既是外在取經之旅，也是身心重構與欲望治理的內在修煉歷程，藉此重新闡釋小說的文化意涵與思想價值。;Journey to the West has traditionally been interpreted from the perspectives of religion， mythology， philosophy， and characterization. However， the intrinsic relationship between representations of food and desire and the cultivation of the body remains an area that merits further investigation. Taking Journey to the West as its primary subject， this study employs close textual analysis in conjunction with semiotics， body studies， and Michel Foucault′s theory of power to examine the interactions among food， sexuality， the body， spiritual cultivation， and institutional order. The dissertation explores dietary culture along the pilgrimage， banquet narratives， Tang Monk′s flesh， the episode of children′s hearts used as medicine in the Kingdom of Biqiu， Zhu Bajie′s sensual desire， the reconstruction of the pilgrims′ bodies， and the systems of divine surveillance and institutionalized ordeals. It argues that food and sexuality in Journey to the West are not merely expressions of sensual desire but constitute essential mechanisms for spiritual cultivation， moral testing， bodily transformation， and the construction of order. This study concludes that the journey to the Western Heaven is not only an external pilgrimage but also an internal process of bodily reconstruction and the governance of desire， thereby offering a renewed interpretation of the novel′s cultural significance and intellectual value.