本論文以張愛玲小說與其改編電影為主要研究對象，試圖聚焦在性別敘事，尤其聚焦在女性議題上，探討張愛玲小說的女性意識如何在影像中被重新詮釋，並藉由女性主義地理學、女性主義電影理論等角度，兼探討張愛玲在散文集中談論的個人往事、對自己作品的補充，對比不同導演如何因應時代語境、創作理念與影像媒介的特性，重新詮釋張愛玲作品中的女性意識、性別權力與空間關係，藉此探討小說與電影的互文性。;This thesis examines Eileen Chang′s novels and their film adaptations as its primary research subjects， focusing on gender narratives with particular emphasis on women′s issues， in order to explore how the female consciousness in Chang′s fiction is reinterpreted in cinematic imagery. Drawing upon perspectives from feminist geography， feminist film theory， and other approaches， while also examining Chang′s personal recollections in her collections of essays and her supplementary remarks on her own works， this study compares how different directors， shaped by their respective historical contexts， creative philosophies， and the distinctive characteristics of cinematic media， have reinterpreted the female consciousness， gender power relations， and spatial dynamics in Chang′s works. Through this， the study aims to explore the intertextuality between the novels and their film adaptations.
