艾力克・菲耶（Éric Faye）1963年出生於法國里摩（Limoges），曾參與新聞與翻譯工作，作品涵蓋隨筆、新聞評論與敘事文本，無論是虛構小說或旅行文學皆有涉獵。其將親身經驗書寫成文，又以亞洲為重點，常在作品中融入亞洲文化或相關元素，特別是日本文化，如《長崎》、《日人之蝕》。 本研究聚焦於小說《日人之蝕》，意在探討艾力克・菲耶如何處理歷史事件所遺留下來的創傷，並如何讓那些小說中在北韓政權下被抹除的渺小人物重新浮現。全文將分成三個章節，第一部分我們將探討這些遭到綁架的角色如何面臨生存考驗，並嘗試詮釋其身分與心理層面的轉變。研究將主要引用保羅・利科（Paul Ricœur）的理論，尤其是《時間與敘事》中所提出的「三重模仿」（triple mimèsis）以及敘事認同的概念。第二章將探討這些主角在極端環境中的生存之道，本章將特別參考唐納・溫尼考特（Donald Winnicott）於《遊戲與現實》（Jeu et réalité）中提出的「過渡物」（l’objet-transitionnel）理論，我們將分析菲耶筆下角色如何藉由這些支撐性物件在小說中維繫個體的人性。第三章我們將跳脫小說情節的層次，探討作家、書寫與生存之間的關係。透過《日人之蝕》，我們將分析作者如何運用書寫的力量，為歷史中的渺小人物發聲，以及文學的力量如何讓作家成為受害者的代言人，進而抵抗極權的力量。;Born in 1963， in Limoges， France， Éric Faye began his career in journalism and translation before establishing himself as an essayist. His works cover a wide range of categories， including essays， journalistic writings， fictional narratives， and travel literature. Deeply influenced by his personal travel experiences， Faye’s works frequently engage with Asian cultures， especially Japanese culture， like Éclipses japonaises and Nagasaki. This study focuses on the novel Éclipses japonaises and aims to examine how Éric Faye deal with the trauma left by historical events， as well as how he brings back to light the “tiny beings” erased under the North Korean regime. The first chapter explores the existential test faced by the kidnapped characters and analyzes the transformations of their identity. This part primarily draws on Paul Ricœur’s concept of triple mimesis developed in Time and Narrative， as well as the notion of narrative identity. The second chapter investigates the various ways in which the protagonists struggle to survive under extreme conditions. Our research is going to refer to Donald Winnicott’s theory of the transitional object as presented in Playing and Reality. The third chapter shifts the focus from the narrative level to a broader reflection on the relationship between writing， survival， and authorship. By examining Éclipses japonaises， this study seeks to demonstrate how Éric Faye mobilizes the power of literary writing to give voice to tiny beings silenced by History， and how literature resist the totalitarian power.
