本碩士論文是一項批判性複合敘事計畫，旨在回應早逝的台灣女作家林奕含之小說《房思琪的初戀樂園》中所體現之文化政治與性政治。小說晦澀難懂，然因其語言風格瑰麗、修辭奇巧而飽含韻律性，於作者逝世八年間，已對華語青少女讀者產生具爭議性之深遠影響。本計畫主體由兩篇互為補充的敘事組成，分別以兩種語言寫成，並遵循兩套不同的文體規範。兩篇敘事以導論為外框，闡述兩則敘事之間的批判性和實踐性連結。導論介紹本計畫設計初衷及佈局考量：此論文敘事的複合、雜揉，旨在質疑語言和形式屬性作為表意工具所產生的、常被忽視的內嵌意識形態效果（亦即：形式如何部分地決定了內容可說什麼，以及某些議題能如何被說）；基於此目的，本計畫採用了兩種截然不同的表意系統和敘事方式來回應林奕含的小說。 導論部分首先闡述本計畫閱讀《房思琪的初戀樂園》的社會脈絡，以及計畫的方法論，先行說明乃是為減少對於後續段落中、對小說文本本身的深入分析（「論述介入」：學術論文），以及挑戰小說本身意識形態的創作作品（「反身實踐」：文學創作）的干擾。 導論以後的內容分為兩部份：「論述介入」與「反身實踐」。第一部分是一篇英文學術論文，標題為〈拆樂園：《房思琪的初戀樂園》中的含蓄政治與對女童主體性的雙重封存〉；第二部份是一篇中文書寫的書信體回憶錄小說，標題為〈他人的臉（或我的擬人失敗）〉。兩則敘事皆採用了「罔兩問景方法論」中所提議的「閱讀位置的轉移／偏離預設路徑」之策略。「論述介入」展示了該策略在小說閱讀中的脈絡化應用，旨在觸發主體思維轉型的激進可能性；「反身實踐」則展示了該策略如何幫助主體在敘事創作中保持自我反思意識。;This master’s thesis is a critical project formed in response to the cultural politics and sexual politics represented in early-deceased Taiwanese female writer Lin Yi-Han’s difficult and controversially influential novel Fang Si-Chi’s First Love Paradise published in 2017. This project is composed of two mutually complementary narratives written in two different languages and according to two distinct sets of genre contracts and is overall framed by an introduction to identify the critical and practical relations between the two pieces. The introduction provides the contexts wherein this master’s project is formed. This project is designed to question the often-ignored ideological effects caused by language and formal properties as apparatuses of representation; based on this goal， two very distinct (and often taken as opposite) systems of significations and narrations are adopted tactically to make response to Fang Si-Chi’s First Love Paradise. The background information about the novel and the methodology of the project will be elaborated in this introduction in the first place in order to reduce the disturbance to the in-depth textual analyses of the novel itself as well as the creative writing challenging the novel. After the introduction， there are two sections. The first section (labeled as intervention) features a textual-analytical paper written in English titled “Penetrating Paradise: Politics of Reticence and the Double Concealment of Female Children’s Subjectivities in Fang Si-Chi’s First Love Paradise.” The second section (labeled as praxis) features a Chinese epistolary memoir-novel called “Visages of Others (or My Failed Human Mimicry).” Both pieces adopt the tactic of “shifting away from the default approach” from Liu Jeng-Peng， Ding Naifei， and Amie Elizabeth Parry’s activist-epistemic literary critique method “Penumbrae Query Shadow Methodology.” The intervention section displays a contextualized application of the tactic to the novel-reading for radical transformative purposes in subject formation and cultural production. The praxis section demonstrates how the tactic works for maintaining self-reflective consciousness in narrative production， which is also a process of subjectification and producing cultural products.
