本篇論文的問題意識是分析《紅樓夢》的居室陳設，與文化記憶的連結關係，以及蘊含的象徵意義和引發的審美感受。進一步探討作者設計『十錦槅子』在賈寶玉居所，與主角心性之旅的呼應關係。採用版本為馮其庸等校注，劉旦宅彩畫，里仁書局所出的彩畫本《紅樓夢校注》前八十回，並間錄周祜昌、周汝昌和周倫玲校訂的《石頭記會真》中的異文部分，再酌引繪畫和工藝品的圖像資料，使與文本互為參照，最後著重怡紅院特出物件所構成的室內空間設計的整體性和象徵意義。期能透過極微末的居室陳設，看到《紅樓夢》創作的深廣背景，是跨學門的，文獻、文本到文化的研究路線。肯定詩化小說的成功，是建立在細節描寫的寫實與精緻化，和在虛構成分運用象徵筆法，在作者、讀者的記憶中引發共感的記憶連結。並藉由重溫《紅樓夢》繁華富貴的閑逸生活，豐富周圍的藝術氣氛，陶冶生活情趣，並提升人文修養。 The thesis is mainly a study of the link between the furnishing art and the cultural memory in A Dream of Red Mansion, a work full of symbolic meanings and aesthetic experience. The focus aims at the “curio cabinets” designed in Jia Pao-yu’s place. The further analysis is to examine and reflect the mutual corresponding relationships between the interior decoration and the protagonist’s mind trip. A large amount of profound cultural background is widely revealed through the study of the planning ideas of the microcosm in the domestic living space. The great writing success of this poetic fiction is chiefly based on the applications of the mass realistic details, subtle narrations, and symbolic devices .All these mechanisms arouse involving common memory and experience between readers and creator no matter time or places through all senses, like seeing, touching, smelling, tasting, hearing. By introducing the aesthetic living of A Dream of Red Mansion, I expect the thesis may elevate the spirit of humanism, strengthen artistic taste, and enrich lives.
