袁瓊瓊因〈自己的天空〉崛起於八０年代，從「張派」傳人出發到有自己的風格，是一個勇於走出創新路的女作家。她的創作包含了新詩、散文、小說等，本論文將她作品中的死亡書寫提出探討，以《恐怖時代》為界線分為三期：早期的閨秀寫實風格多少承傳了張愛玲，到了《恐怖時代》漸漸走出自己驚悚恐怖的風格，三十篇小說中死亡的描述讀來令人戰慄，近期新潮通俗的風格則因為信仰的關係，對於死亡的看法不同於早期的辛辣，反而多一些省思與感觸。綜觀袁瓊瓊的死亡書寫，可以從中窺視她的成長，這些年歷經婚變、情傷以及親人的猝死，她的轉變呈現在文字當中，從死亡出發也讓人與袁瓊瓊一同深思生存的意義，未來她對於死亡的書寫仍繼續，在創作路上期待她能再次開創出不一樣的天空。 Because of <own sky>, Jun-jun Yun rised in 1980’s. Embarking on “Zhang’s school ” to her own style, Yun is a female writer bravely to go on the way of innovations. Her literary creations contained the free verse written in the vernacular, the prose, the novel and so on. This thesis based on Yun’s work in death writing and divided into three issues by "Horror Time" -as the demarcation line: The early stage- style of realistically demure received from Zhang Ailing to some extent. And gradually to " Horror Time" relieved her own style of terror, the description of death in 30 novels makes one tremble. Then in the near stage, the new tide of popular style, which because of faith was different from the early stage regarding to the death view, instead it has more introspection and feelings. To make comprehensive survey of Yuan Qiongqiong's death writing, we may peep at her growth, the change of marital status, the sentiment wound as well as family member's sudden death undergoing these years. Her transformation presents within the words. By departing from the death also lets the readers think deeply the survival significance with Yuan Qiongqiong. In the future she still will continue portraying about death writing, she could find the distinct sky once more with the anticipation of the path of creation.
