「饗宴－文學」是六朝文學，尤其是齊梁文學一個顯著現象。該現象既有承襲建安文壇模式與傳統的一面，亦有其順應時代發展而呈現的新氣象：從整體表現看，齊梁的饗宴同樣是多以帝王及皇族為中心；從歷史發展看，齊梁的饗宴是北府將領文人化及寒族世族化的一條重要途徑；從文學發展看，齊梁的饗宴是以皇族為中心形成文人集團的一個主要形式；從文學創作看，齊梁的饗宴是文學創作群體化及模式化的主要場域，同時也是文學內容宮體化及風格唯美化的重要原因。齊梁饗宴文學體現出雙重性質：政治實用與遊戲娛情，而其「饗宴－文學」的文化生態對後世文壇產生了十分深遠的影響。 “Banquet-Literature”is a marked phenomenon of Six dynasties, especially Qi-liang period. It is not only the tradition of the Jian-an literature but also takes on a new look: the first, the kings or imperial kinsmen play leading roles in the banquet of the Qi-liang period; the second, it is an important way to become the nobleman/literati from the populace/general; the third, it is a main formality to take shape scholar bloc; the fourth, it is a major field to create literary works with group behavior and social model; meanwhile, it is a vital reason that the literature tends to aestheticism. The banquet-literature of the Qi-liang period has double quality: politics and recreation. As a cultural pattern, “Banquet-Literature”exerts far-reaching influence on the literary world in later ages. 研究期間：10008 ~ 10107
