本文選擇邱妙津的作品為研究文本，邱妙津締造了女同志書寫的里程碑，在其短暫的寫作歷程中，作品數量雖不多，卻以多種文類面貌呈現，本文以文類為論述的起點，探究邱妙津在不同時期的各種文類所呈現的共通性與特殊性，進一步探討邱妙津自我認同的歷程與心理狀態。 本文先敘明研究動機與方法，回顧與整理相關的研究文獻，並界定文類的意義與論述論文的整體架構。接著以敘事觀點、人物塑造及時間序列等探討邱妙津各時期的作品中所呈現的性別認同與自我成長，並試圖從作品的文類建構出邱妙津以書寫完成自我殉道的過程，論證邱妙津以自傳式體裁書寫的意義，剖析其作品呈現真實/虛構的特殊性。最後討論日記與各時期作品的異與同，歸納邱妙津如何在同志情欲與書寫中探尋自我價值，為其短暫的生命留下永恆的燦爛。The paper selected Qiu Miaojin’s works as the research document, whereas Qiu Miaojin has created the milestone for Lesbian writing. Although Qiu has not composed a substantial number of works during a brief writing course, the diversity of the genre has led to the paper to propose a discourse based on genre, analyzing the commonality and uniqueness presented by various genres from different period, thereby to further discuss the course and psychological state of self-identify in Qiu Miaojin. The paper first describes the research motivation and methods, review and organizes relevant research literature, in addition to defining the meaning of genre and expound the overall framework of the paper. Secondly, The paper discusses the gender identify and self-growth presented throughout the works of Qiu Miaojing from different period based on narrative perspective, character creation and time order. The paper attempts to build the course of genre in which Qiu Miaojin reached self-destruction in writing, to prove the meaning of Qiu Miaojin’s writing via autobiographical genre and analyze the uniqueness presented through the reality/fiction in the works. Finally, the paper discusses the diary and the differences and similarities of the works from different period, concluding how Qiu Miaojin explores self-value in homosexual desire and writing, leaving an eternal brilliance for the brief life.
