| 摘要: | 「地方百詠組詩」是以百首絕句或律詩品題同一地區範圍內的各式地景，或山水名勝，古蹟遺址，植栽名物的詩歌形式。此詩歌形式能使讀者得以概觀一地方之風物，在南宋時被廣泛運用。本論文以地誌研究與記憶研究為徑路，以地方百詠組詩在宋代勃興的原因為研究之起點。而論文主要探勘南宋詩人方信孺、曾極、董嗣杲三人皆以地方百詠組詩形式分別歌詠南海、金陵、西湖之意識、三組地方百詠組詩之內容特色與文本中呈現的地方記憶與地方感。地方百詠組詩之文本脈絡歷經魏晉、唐與北宋，融合園林題詠、行旅古蹟題詠與詠史組詩之文化底蘊。其興盛的原因有：一、宋代旅行活動盛行，名勝景點興起；二、南宋疆域改易，造成南宋詩人的地域認同呈現多元複雜的心理；三、南宋出版業興盛，讀者對於地誌文本有可供資鑑與再現地景的要求。而方信孺南海百詠、曾極金陵百詠、董嗣杲西湖百詠分別記憶了南宋中晚期廣州、金陵、西湖三地的自然景觀與其人文歷史，亦在其中寄託了個人情志與記憶。“One Hundred Poems of Localities” is a form of poetry that described every kind of landscapes, including high spots, historic interest, plants or ancient objects in the same place by using hundreds of quatrains and verses. This poetic form can let readers know the overview of these place and it was used extensively in the Southern Song dynasty. This thesis starts from the course of topography and memory research and the reason of the prospering of “One Hundred Poems of Localities” in the Song dynasty. It mainly probed that Fang SinJu(方信孺), Tseng Chi(曾極), and Tung SzuKao(董嗣杲) chanted the local spirit of Nanhai(南海), Jinling(金陵), and Xihu(西湖), and the characteristic of the three groups of One Hundred Poems of Localities, and the memory of the place, sense of these place by using One Hundred Poems of Localities. The approach of One Hundred of Local Composed Poems passed through the culture heritage of Wei, Jin, Tang, and Northern Song dynasty, and its flourish contains the reasons as follow: First, the traveling activities was in vogue in Song dynasty and it brings up the rise of scenic spots; Second, the changing of the territory of Southern Song dynasty made multi mentalities of the local recognition of Southern Song poets; Third, the prevalent of publishing in Southern Song dynasty made readers have ability to request the reference providing and landscape reappearing. The Nanhai poems of Fang SinJu, Jinling poems of Tseng Chi, and Xihu poems of Tung SzuKao, not only recorded the natural landscapes and human history of Nanhai, Jinling, and Xihu, but also had personal emotions and memory in their poems. |
