自我觀看與他人形塑─清代女性畫像題詠探析;Personal Vs. Third Party VI Ewpoint: Female Image in the Qing Dynasty in Portrait Painting Poems

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Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/62292

Title:	自我觀看與他人形塑─清代女性畫像題詠探析;Personal Vs. Third Party VI Ewpoint: Female Image in the Qing Dynasty in Portrait Painting Poems
Authors:	卓清芬
Contributors:	國立中央大學中國文學系
Keywords:	語文;人類學
Date:	2012-12-01
Issue Date:	2014-03-17 11:29:02 (UTC+8)
Publisher:	行政院國家科學委員會
Abstract:	研究期間：10108~10207;Portraits became very popular in the Qing Dynasty, and many male scholars and female authors made “small pictures” or “small portraits”. Made by either oneself or others, the portrait and its included poem became part of the major “self-reinterpretation” channels for women in the Qing Dynasty. As the portrait recorded the female subject’s appearance and image and the poem demonstrated her spiritual contents, a full self-image was formed by combining these elements. Hence, the self-image, self-ideal, self-interest, and self-value of life of women in the Qing Dynasty are manifested in the portrait’s poem. When the painting’s poem is made by others, it is the female image formed in the mind of the writer according to their viewpoint of the subject or the narrator’s perception on the protagonist’s interest and mind. From painting poems made “by oneself” and “by others”, multiple aspects of the female image in the Qing Dynasty are revealed. Therefore, by reviewing portrait painting poems made by either the individual or others, the female image formed, depicted, and interpreted in the first-person and third-person viewpoints and the cultural implications of a female’s self-expressed psyche are further explored.
Relation:	財團法人國家實驗研究院科技政策研究與資訊中心
Appears in Collections:	[Department of Chinese Literature] Research Project

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