中大機構典藏-NCU Institutional Repository-提供博碩士論文、考古題、期刊論文、研究計畫等下載:Item 987654321/63384
English  |  正體中文  |  简体中文  |  全文笔数/总笔数 : 80990/80990 (100%)
造访人次 : 42696054      在线人数 : 1462
RC Version 7.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
搜寻范围 查询小技巧:
  • 您可在西文检索词汇前后加上"双引号",以获取较精准的检索结果
  • 若欲以作者姓名搜寻,建议至进阶搜寻限定作者字段,可获得较完整数据
  • 进阶搜寻


    jsp.display-item.identifier=請使用永久網址來引用或連結此文件: http://ir.lib.ncu.edu.tw/handle/987654321/63384


    题名: 自然的奇觀:盧梭的叢林畫作研究;The Spectacle of Nature: a Study on Henri Rousseau$S Jungle Scenes
    作者: 曾少千
    贡献者: 國立中央大學藝術學研究所
    关键词: 藝術
    日期: 2012-12-01
    上传时间: 2014-03-17 14:28:49 (UTC+8)
    出版者: 行政院國家科學委員會
    摘要: 研究期間:10108~10207;This two-year project will study the nearly thirty jungle paintings created by Henri Rousseau. In a “naïve” and artificial style, these works embody the modern man’s aspirations toward the primitive nature and suggest visual experiences accumulated from the popular books and visits to the Jardin des Plantes and Exposition universelle. The research on Rousseau and the concepts and imagery of the primitive and the exotic shaped by colonialism will help us understand the modern art’s adoption and transformation of natural history. This project is entitled “The Spectacle of Nature” to underline the fact that nature is used by the artist to construct a striking spectacle, and that nature is employed as a decorative motif and visual language. The composition of artificial nature serves as a stimulus for imagining a distant exotic land. Therefore, the process of picturing nature undergoes layers of mediation. This project will address the following issues: 1. Laying aside the label of “a naïve artist”, what is Rousseau’s aesthetic and how does he create an alternative realism? 2. What are the 19th-century artistic tendencies toward primal and naïve expressions? 3. How do Rousseau’s strongly decorative jungle paintings bring the viewer visual pleasure and elicit psychological responses? 4. As modern life is estranged from nature yet in need of nature, how does Rousseau reduce the sense of threat of the wildlife and encourages a metropolitan gaze? 5. In the context of colonial display of nature, does art inevitably become the object of cultural consumption and entertainment? 6. Henri Bergson’s thesis of “creative evolution” proposes a major revision of Darwin’s “the survival the fittest” and “natural selection”. Can Bergson’s philosophy of life give insights to the interpretation of Rousseau’s art?
    關聯: 財團法人國家實驗研究院科技政策研究與資訊中心
    显示于类别:[藝術學研究所 ] 研究計畫

    文件中的档案:

    档案 描述 大小格式浏览次数
    index.html0KbHTML508检视/开启


    在NCUIR中所有的数据项都受到原著作权保护.

    社群 sharing

    ::: Copyright National Central University. | 國立中央大學圖書館版權所有 | 收藏本站 | 設為首頁 | 最佳瀏覽畫面: 1024*768 | 建站日期:8-24-2009 :::
    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 隱私權政策聲明