| 摘要: | 1920年代至1940年代間的臺灣，產製、販售了大量的京劇唱片，通過分析與整理這些目前仍然留存的唱片，足以使我們更為清晰地瞭解當時臺灣人的物質生活、審美，乃至於對藝術的要求。本文從京劇唱片的起源入手，進而深入討論臺灣京劇唱片的發展、類型，並梳理十餘家在臺唱片公司所出版的京劇唱片，將目前所能收集到的臺灣京劇唱片錄音，逐一聆聽，記錄唱詞，考證灌製年代，找出能與之比對的大陸京劇唱片作為參照；再將每一張唱片所涉及的劇目、劇情、唱腔、戲路等逐一加以說明，對於演唱者的演唱風格、宗法流派進行考證；對於未能聽到錄音的唱片，比對已知唱片推斷灌製年代、整理目錄，並將劇目、劇情一併考證。本次研究不僅是首次對大量臺灣京劇唱片做出的系統化整理，而且多數材料也是初次披露，期望能透過筆者的梳理，為京劇愛好者、研究者提供更為便捷且準確的資料，以便掌握此一時期臺灣京劇的發展情況，進而做更全面、深入的探索。;From the 1920s to 1940s, Taiwan produced and sold a large number of Peking opera records. By analyzing and organizing these records that are still preserved, it is enough to make us more clearly understand the material life, aesthetics and artistic requirements of Taiwanese at that time.
Starting with the origin of Peking opera records, it will discuss the development and types of Taiwan′s Peking opera records, combs the Peking opera records published by more than ten record companies in Taiwan, and will listen to the recordings of Taiwan′s Peking opera records that can be collected at present, records all the lyrics, examines the recording age, find out that the mainland Beijing opera record that can be compared with it is referred to; then explains the repertoires, arias, the way of acting, etc. of each record, makes a research on the singing style and the genre. For the records that cannot be recorded, by doing comparing with the known ones to infer the recording age, sort out the catalogue, verify the repertoires and plots.
This study is not only for the first time to make a systematic finishing on a large number of Taiwan′s Peking opera records, but also the first disclosure of most materials. Through the author′s carding, It is expected to provide more convenient and accurate information for Peking Opera fans and researchers, so as to master the development of Taiwan′s Peking opera during that period, and then make a more comprehensive and in-depth exploration. |
