| 摘要: | 本論文立基於「太平天國之亂」後的社會文化，探究《申報》館創辦的第一份綜合文藝期刊《瀛寰瑣紀》所載之相關內容，企圖選就「追憶」與「重建」的兩重視角，揭示當中呈現的文化復興意涵。首先，論文梳理《申報》館的建立過程，以及東西融會的華人筆政群，進而了解《瀛寰瑣紀》的發刊原因與文化意義。其次，重審並剖析戰亂中捨身取義的士卒、顛沛流離的文人以及堅貞不屈的女子，如何為當世文人哀悼讚頌，呈現劫後餘生的集體療傷現象。接著，探討亂後水利設施的重建和荒廢田園的更新，同時反思西方文化與文明，以及社會平靜氛圍中文人詩社的再造，透過報刊的快速傳遞與唱和，具體展現軍政、洋務與文藝的中興氣象。最後，析論刊物登載有關重塑歷史人物的異說；收集親友和前賢的散佚作品，藉由報刊成為另一種刊行模式；以獨特視角重新審視前人作品，並且試圖向眾人引介宣傳，或者以條列式編輯作品，內容呈現新舊對照，以此紀念前人與親友，對文化遺產、歷史記憶的諸多面向進行回顧與創新。綜合上述層面，深入闡釋此刊物透過追憶來重建社會秩序的文藝界氛圍，及其所蘊含的深厚文化復興意義。;This thesis focuses on the social culture in the post-Taiping Rebellion period. Through analyzing the comprehensive literary and artistic journal “Yinghuan Souji” (《瀛寰瑣紀》) established by the “Shen Bao Press” (《申報》) , it attempts to uncover the implications of literary revival within the publication from the perspectives of “retrospection” and “reconstruction”.
Firstly, in order to reveal the reasons behind the founding of “Yinghuan Souji” and its cultural significance, this thesis delves into the establishment of the "Shen Bao Press" and its Chinese editors and authors who received traditional educations in the East while remaining open to embracing new knowledge of the West.
Secondly, it reexamines and analyzes admirable figures of the era, including military officials who sacrificed themselves for a greater cause, literati who experienced hardship and displacement, and women who were faithful and unwavering. This thesis also explores how literati praised and mourned these figures, presenting a collective healing phenomenon after the turmoil.
Furthermore, it discusses the reconstruction of water facilities and the restoration of abandoned farmlands, along with the reflections on Western culture and civilization and the reformation of literati poetry communities in a peaceful atmosphere during the post-conflict period. Through rapid dissemination and reception in newspapers and journals, this era vividly showcases the resurgence of military governance, foreign affairs, and literary activities.
Lastly, it analyzes how the articles of the journals provided alternative narratives and reshaped images of figures. The editors collected lost and scattered works from friends, relatives, and past scholars, and selected newspapers and journals as an alternative means of publication; they reexamined the works of predecessors from unique perspectives and attempted to introduce and promote them to the public; they occasionally arranged new and old works in a comparative layout to commemorate predecessors and relatives, to retrospect and innovate various aspects of cultural heritage and historical memory.
By comprehensively exploring these aspects, this thesis interprets how “Yinghuan Suoji” reconstructed the literary atmosphere and social order through retrospection, and the profound literary revival significance it contains. |
