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    請使用永久網址來引用或連結此文件: https://ir.lib.ncu.edu.tw/handle/987654321/110438


    題名: 新屋八本簿平安戲輪值祭典中的還福實踐:打粄、添丁與地方記憶;新屋八本簿平安戲輪值祭典中的還福實踐:打粄、添丁與地方記憶
    作者: 呂詩婷;LU, SHI-TING
    貢獻者: 客家語文暨社會科學學系客家研究碩士在職專班
    關鍵詞: 八本簿;平安戲;還福儀式;打粄;性別秩序;Babenzu;Ping’an opera;thanksgiving ritual;rice-cake making, gender order.
    日期: 2026-07-13
    上傳時間: 2026-10-20 15:41:01 (UTC+8)
    出版者: 國立中央大學
    摘要: 以桃園新屋八本簿平安戲輪值祭典為研究對象,探討家中有新生兒後,打粄、獻粄與還福行動如何被延續,並分析其在當代社會變遷、少子化與性別觀念轉變的脈絡下,如何逐漸產生調整與重新理解。相較於臺中東勢、屏東六堆、苗栗獅潭等地將新丁、新枝祭儀明確命名,並逐漸發展為節慶或社區文化活動,新屋八本簿並未將「拜新丁」獨立為一項正式祭儀,而是將新丁粄、丁口簿、爐主輪值、平安戲酬神與還福祭拜,整合於農曆八月的年度輪值祭典之中。這反映出,八本簿的添丁實踐不以單一儀式名稱呈現,主要透過「附著於還福制度」的形式,持續嵌入地方社群的年度祭祀循環。
    本研究採質性研究方法,透過文獻分析、田野觀察與深度訪談,訪問廟方工作人員、值年爐主、地方耆老、文史工作者與一般參與者,分析不同位置的參與者如何理解八本簿的還福儀式與打粄經驗。研究發現,八本簿的新丁實踐雖未被正式命名,卻透過丁口簿、輪值責任、平安戲與打粄行動持續被保存;然而,近年也因人口流動、少子化與參與者老化,逐漸出現制度仍在、理解卻出現斷裂的傳承困境。

    關鍵字:八本簿、平安戲、還福儀式、打粄、性別秩序;This study examines the rotating Ping’an Opera ritual of Babenzu in Xinwu, Taoyuan, as its subject, exploring how the rituals of making and offering rice cakes (a traditional Newborn Rice Cake) and repaying blessings after the birth of a son are continued, adjusted, and reinterpreted within the context of contemporary social changes, declining birth rates, and shifting gender attitudes. Compared to other areas like Dongshi in Taichung, Liudui in Kaohsiung and Pingtung, and Shitan in Miaoli, which have clearly named their newborn and newborn branch ceremonies and gradually developed them into festivals or community cultural activities, the Xinwu Babenzu does not treat "worshipping the newborn" as a separate formal ritual. Instead, it integrates the newborn rice cake, the family register, the rotating duty of the incense burner master, the peace opera to thank the gods, and the blessing worship into the annual rotation ceremony in the eighth month of the lunar calendar. This phenomenon shows that the practice of adding a son in the Babenzu does not exist as a single ritual name, but rather is continuously embedded in the annual ritual cycle of the local community in a way that is "attached to the blessing system."
    This study employs qualitative research methods, employing literature review, field observation, and in-depth interviews with temple staff, yearly incense burners, local elders, cultural and historical researchers, and general participants to analyze how participants in different positions understand the Babenzu′ blessing ceremony and the experience of making rice cakes. The study found thatalthough the Babenzu′ practice of welcoming new members has not been formally named, it has been continuously preserved through the register of members, rotating responsibilities, peace plays, and the making of rice cakes. However, in recent years, due to population mobility, declining birth rates, and aging participants, a dilemma of transmission has gradually emerged: the system remains, but understanding has become fragmented.

    Keywords: Babenzu (八本簿), Ping’an opera(平安戲), thanksgiving ritual(還福), rice-cake making, gender order.
    顯示於類別:[客家研究碩士在職專班] 博碩士論文

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